![]() ![]() In order to shoot underwater, a 900,000-gallon tank was used in the studio, and all the actors had to learn free diving and breath control. Another advantage of using the DeepX3D rig was that it was relatively easier to use than even conventional camera systems, as it weighed only around 30 kg. ![]() Using these two, the underwater scenes achieved clear, distortionless IMAX3D brilliance. Nikon’s 15mm lenses from the 1980s were used as “glass,” which are old lenses specially developed by Nikon for underwater photography. Cameron sought Pawel’s consultation and utilized this rig to capture shots underwater, as this rig was the only viable option to achieve stereoscopic 3D image clarity in underwater sequences. To test out the results, Cameron put both his idea of the underwater shoot and the suggested method side by side, and the latter paled in comparison hence, they took the harder route.Īn underwater camera rig was built from a 3D beam splitter known as DeepX3D, which was invented by Australian cinematographer Pawel Achtel in 2015. Initially, project executives suggested James Cameron use the traditional method of wire motion. Earlier, the most common method of shooting extended underwater sequences was “dry for wet,” or shooting scenes by mimicking underwater sequences using wires against the backdrop of a blue screen. It also adds depth, lighting, and physics totally akin to reality. In order to portray convincing CGI, part of the real-life backdrop needed to be present, which kept the “fake” computer-generated portions in sync properly, as the filmmakers learned in the process of making this sequel. Underwater Filming And Performance Capture “Avatar 2” was unique in the sense that it had the arduous task of using motion capture in underwater scenes, and the director had good reason to back up such a decision. ![]() “Aquaman” and “Black Panther: Wakanda Forever” were two movies released recently that depict the sub-marine world with their own distinctiveness. “Avatar 2” is one of a series of mega-budgeted franchise movies that deals with extensive underwater sequences. Technological Innovations In ‘Avatar: The Way Of Water’ We will discuss the methods and innovations Cameron and his team utilized to achieve such a monumental feat. However, unsurprisingly, Cameron managed to outperform himself this time as well, as “Avatar: The Way of Water” has left the audience flabbergasted with its palpable underwater scenes, so much so that at times it felt like a zoological documentary. For the next chapter of the Avatar franchise, Cameron upped the ante by choosing to move the setting to the ocean and sub-marine locations, an extremely challenging hurdle, especially when motion capture is involved. To project his vision onto the silver screen in “Avatar,” Cameron invented filming techniques and equipment such as performance capture using head rigs, a virtual stage called “volume,” fusion cam, and virtual cam, which all together contributed to an extremely immersive experience for the audience. There were instances where the technologies had been used earlier to great effect, in movies like “King Kong” and “Pirates of the Caribbean,” to name a few, but the way Cameron pioneered their upgrade, adding his own innovations, was unprecedented. ![]() Released in 2009, the sci-fi epic “Avatar” set a high benchmark for digitally rendered visual media as director James Cameron introduced the vibrant alien world of Pandora to the audience with a unique amalgamation of 3D, motion capture, and a virtual stage. ![]()
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